" Mues "

CUVEE DES TROLLS

PAULANER MUNCHEN

Artwork Pricing :

Each artwork print is numbered and limited to 30 copies per image. These 30 prints are available in 5 different formats, each with its own limited edition.

Artist’s Notes :

20% of the profits generated from the sale of artworks in the “MUES” series will be allocated to the creation of cultural events related to art and/or the environment: exhibitions, conferences, and more.

Artworks can be ordered with or without the frame proposed by the artist. If an artwork is presented without a frame and you wish to have one, we will present the frame designed by the artist before your order.

WHY A FRAME?
Although not mandatory, the frame is considered by the artist as potentially an integral part of the artwork. Certain compositions “call” for a subtle link with the environment and with the future. Like an echo, the frame adds symbolic depth and semiological intensity. Its “diffractive aura” surrounds the focal image with centrifugal resonance, evoking a form of already transitional lyrical act.

NOTE: Just like the frames, the reflections caused by the plexiglass—which is not merely a protective material—are part of the artwork. They extend and highlight its meaning. They contextualize the presentational effervescence of the image. The deliberate choice of this reflective protective material suggests a spatialization that is more tangible than virtual.

The reflective image thus interacts with its exhibition space. The reflections carry reciprocities whose hidden symmetries anticipate the metamorphosis of matter, incorporating it into the spatiotemporal loop of recycling.

Each print is signed, numbered, and accompanied by a Certificate of Authenticity.

Format : (H) 78 cm × ( L) 48.2 cm
(H) 30.7 in × (W) 19.0 in

Edited in 14 copies
Numbered from 17 to 30

498 €

READY-TO-HANG ARTWORK PRICE: €498 VAT included

5mm plexiglass thickness – Metal hanging hardware – Certificate of Authenticity affixed to the back.
Free shipping and delivery.

FINISHING OPTIONS:

► Thicker plexiglass available: total thickness 8mm.
Enhanced protection and deeper, more vibrant colors.

Artwork with 8mm thickness: €548 VAT included

Free shipping and delivery IN FRANCE.

► Optional “Slim” aluminum frame (black or aluminum finish) for an elegant, modern look.
Ultra-slim profile highlights the artwork discreetly while adding gallery-level aesthetic value.

Slim Frame Price: €80 VAT included

For Businesses: Tax deduction over five years – 5 installments of 100 €

Format : (H) 58 cm × (L) 35.8 cm
(H) 22.8 in × (W) 14.1 in

Edited in 7 copies
Numbered from 10 to 16

698 €

READY-TO-HANG ARTWORK PRICE: €698 VAT included

5mm plexiglass thickness – Metal hanging hardware – Certificate of Authenticity affixed to the back.
Free shipping and delivery.

POSSIBLE FINISHING OPTIONS:

► You can order the artwork with thicker plexiglass, bringing the total thickness to 8mm instead of 5mm.
This offers enhanced protection, deeper visual depth, and more vibrant colors.

Artwork with 8mm thickness: €768 VAT included
Free shipping and delivery IN FRANCE.

► To give the artwork an elegant and refined finish, you may also choose a “Slim” aluminum frame (black or aluminum finish).
This is the ideal solution if you want a thin, modern, and sophisticated frame. With its ultra-slim profile, the “Slim” frame remains discreet while highlighting the artwork and adding gallery-level aesthetic value.

Slim Frame Price: €90 VAT included

For Businesses: Tax deduction over five years – 5 installments of 140 €

Format : (H) 78 cm × (L) 48.2 cm
(H) 30.7 in × (W) 19.0 in

Edited in 5 copies
Numbered from 5 to 9

998 €

READY-TO-HANG ARTWORK PRICE: €998 VAT included

5mm plexiglass thickness – Metal hanging hardware – Certificate of Authenticity affixed to the back.
Free shipping and delivery.

POSSIBLE FINISHING OPTIONS:

► You can order the artwork with thicker plexiglass, bringing the total thickness to 8mm instead of 5mm.
This provides enhanced protection, greater depth, and more vibrant colors.

Artwork with 8mm thickness: €1198 VAT included

Free shipping and delivery IN FRANCE.

► To give the artwork an elegant and refined finish, you may also choose a “Slim” aluminum frame (black or aluminum finish).
This is ideal if you want a thin, modern, and sophisticated frame. With its ultra-slim profile, the “Slim” frame remains discreet while highlighting the artwork and adding gallery-level aesthetic value.

Slim Frame Price: €110 VAT included

For Businesses: Tax deduction over five years – 5 installments of 200 €

Format : (H) 98 cm × (L) 60.6 cm
(H) 38.6 in × (W) 23.8 in

Edited in 3 copies
Numbered from 2 to 4

1398 €

READY-TO-HANG ARTWORK PRICE: €1,398 VAT included

5mm plexiglass thickness – 2 metal hanging hardware – Certificate of Authenticity affixed to the back.
Free shipping and delivery.

POSSIBLE FINISHING OPTIONS:

► You can order the artwork with thicker plexiglass, bringing the total thickness to 8mm instead of 5mm.
This provides enhanced protection, greater depth, and more vibrant colors.

Artwork with 8mm thickness: €1,518 VAT included

Free shipping and delivery IN FRANCE.

► To give the artwork an elegant and refined finish, you may also choose a “Slim” aluminum frame (black or aluminum finish).
This is ideal if you want a thin, modern, and sophisticated frame. With its ultra-slim profile, the “Slim” frame remains discreet while highlighting the artwork and adding gallery-level aesthetic value.

Slim Frame Price: €140 VAT included

For Businesses: Tax deduction over five years – 5 installments of 300 €

Format : (H) 118 cm × (L) 73 cm
(H) 46.5 in × (W) 28.7 in

Unique copy, numbered 1”

1998 €

READY-TO-HANG ARTWORK PRICE: €1,998 VAT included

5mm plexiglass thickness – 2 metal hanging hardware – Certificate of Authenticity affixed to the back.
Free shipping and delivery.

POSSIBLE FINISHING OPTIONS:

► You can order the artwork with thicker plexiglass, bringing the total thickness to 8mm instead of 5mm.
This provides enhanced protection, greater depth, and more vibrant colors.

Artwork with 8mm thickness: €2,158 VAT included

Free shipping and delivery IN FRANCE.

► To give the artwork an elegant and refined finish, you may also choose a “Slim” aluminum frame (black or aluminum finish).
This is ideal if you want a thin, modern, and sophisticated frame. With its ultra-slim profile, the “Slim” frame remains discreet while highlighting the artwork and adding gallery-level aesthetic value.

Slim Frame Price: €170 VAT included

For Businesses: Tax deduction over five years – 5 installments of €440

To place an order, contact us:

Black and White Collection:

Identical prints (quantity and sizes)

Prices: 10% less compared to color prices

If you wish to acquire a Black and White artwork, simply request it.

We will send you the visual corresponding to your choice.

If you are undecided between two or three pieces, we will provide, by email, the Black and White images of these artworks to help you confirm your selection.

Discount

For an order of 5 artworks

5% off

For an order of 6 to 14 artworks

10% off

For an order of 15 artworks

15% off

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Conceptual Premise

" Recyclable objects, do you have a soul…? "

Inspired by Alphonse de Lamartine

In the beginning, having identified their expressive power, it is from simple shots of torn packaging fragments.
that Pascal di PÉRI explores our relationship with matter, consumption, and the environment.

Then, experimenting with the graphic interest of this consumerized, barcoded material, now turned into waste, he came to develop a broader reflection on the intrinsic value of “material substance” when it is recyclable: “From Waste to Resource…”. The essential nature of the symbolic recycling cycle, treated through narrative allegory as an operative phenomenon, was the obvious product of this creative introspection. The iconic catharsis of the process that Pascal di PÉRI developed to elevate this reflection itself transformed into an “Ode to Recycling”. To exhibit and exalt the metaphorical sequence of material transformation, he conceived his own modus operandi, which he calls: “Photo-Pictorial Capture”. Through this ritualized method, he governs the technical, conceptual, and formal foundations of his research, intended to convey both meaning and emotion. These “iconic allegories” also aim to crystallize the foundations of an art that positions itself as an “eco-artistic manifesto”. Named “MUES”, these works reflect back on our own evolution…
“It was necessary to make the transubstantiation of matter legible, without any prior initiation. So that every viewer could decipher the positivity of the conceptual message, and intuitively feel its empathic intensity. Ultimately, the subliminal radiance of the semiological substance of the image would permeate their subconscious. The implemented plastic cosmogony had to be sufficiently captivating to ‘teleport’ the viewer into the heart of the ‘emotional reactor’ of the metamorphosis, allowing them to implicitly grasp and absorb the beneficial virtues of metaphorical hybridization.”

Pascal di Péri

From capturing the image to the ‘letting-go of the image’…

These investigations ultimately led the artist to invent a new form of expression, which, as we observe, possesses exceptional graphic impact. His process, at the intersection of multiple techniques, is itself a form of metamorphosis. The polymorphic nature of his method already explicitly conveys the symbolic alchemy of matter’s transmutation through recycling…

The framework of creative gestation and its technical appendage exist as a single continuum. This continuum gives rise to a spatio-temporal graphic vertigo in the proportions of the Golden Ratio. A post-abstract or neo-figurative nebula composes the joyful dramaturgy of lyrical decomposition. A graphic-stellar entanglement where matter, inspired by an initiating present, is already drawn toward a boreal future, intensifies itself: the cosmic lenses of the photographer’s objective have indeed penetrated a teeming elsewhere of unknown universes.

Thus arose a ceremonial practice with quasi-shamanic artistic invocations. The “photogenic spasms” of ordinary matter aggregated into swirling galaxies with pixels transformed into “atomic” elements, and into the tails of spectral, wild comets. The artist no longer controls anything. He is “connected” to a force that tends to erase him, making way for the solemnity of the ritual.

This “sidereal metamorphosis” now hangs in the moment of “release of the shot,” where hermetic synchronicities summon and invoke the energies of the Ether without constraint. And even if a lyrical abstraction emerges from this apparent decompositional chaos, it can only be apprehended through the figuration and transfiguration of pixelated sfumatos, which themselves have mutated into psychedelic atoms.

It is within this photogenicity, as delicate as it is effervescent, that vortexes of light merge at metachromatic frequencies. Their ineffable flows galvanize halos of clouds with binary incandescence, mythifying the spectral exaltation of the image. For, like a Phoenix reincarnating, the particles of matter in full metamorphosis liquefy within the burning limbo of the same space-time as the atomic vibrations that re-create them.

Recyclable matter becomes nearly as precious as water.

Pascal di Péri

These “MUES” immerse us in the epic convulsions of a material whose “psyche” contains a fantasized infinity. The visionary creative corpus of this research must act like a compelling semiological mantra. And if the iridescent, polychrome effusions of this art aim to touch us emotionally, it is perhaps ultimately to raise civic awareness. These works do not merely transmute the “branded and consumerized matter.” They plunge us into the resilient stigmas of brands that, in doing so, partially absolve themselves of their “capital waste,” opening the “pathways to remission and harmony.”

This results in a thematic reservoir that not only opens an authentic artistic vein but whose axioms can positively influence consciousness:

The necessity of apprehending the “karmic stakes” of matter as one of the major challenges of our time.

His intention today is indeed to celebrate the process of recycling, integrating brands into this graphic resilience as bearers of civic ethics and active participants in this endeavor.

An eco-artistic movement with “artivist” undertones will likely emerge from this research and its postulates. Cultural events and other veins will contribute to its legitimacy. To allow it to radiate and achieve its goals, it only needs to be named with precision. However, it does not align with the denunciatory approaches of movements such as “Upcycling.” Pascal di Péri’s engagement is not meant to be critical; he seeks to position it within a context of reconciliation that fosters positivity and unites perspectives from across our ecosystem. It is rooted in a framework that promotes Resilience.

We have given it a name: “Tri-Art”… What do you think?

The artwork, its principles, and what lies beyond…

These works, all stemming from what their creator calls the “release of the shot”, indeed seem to emanate from the occult fluid of a flamboyant “meta-matter.” Like inter-magmatic constellations osmosed with fragments of space-time, they appear as true UMOs (Unidentified Mutant Objects). Between particles and waves, between dusk and dawn, between sharpness and blur, their artifacts, irradiated with fractal effluences, secrete the graphic psyche planes of a subtle world. Within this refined framework of resilient intentions, the lens intersects celestial eco-graphic energies. Their turbulences diffract and saturate the luminous digital fields. Auras, with meandering frequencies, converge with these paradoxical synchronicities, decomposing a prism that, polarized by an ethereal subconscious, recomposes the image under the reign of primal effluences…

All the anamorphoses of these works are “metaphysical.” They are indeed imbued with a “karmic quest.” Exuded from atomic pixels originating from a substrate of undulating photons, their quantum origin is evident. Bivalent, these images in the alchemical crucible entwine the poetic metamorphoses of matter in a state of recycling, and “super-pause” the states of metaphorical transcendence of sublimation.

Everything in this research reflects an implicit inquiry into the “passages” of our inner transformations: elevations owed to our essential encounter with the enriching mirror of “otherness” (knowledge is always co-knowledge…)

Thus: What of the values that inspire and animate our path? What of our intentions and interactions with the environment? What of our encounter with the universal that resonates within each of us?

By approaching the Sacred, art and its branching structures form part of these rituals of transmission toward meditative nobility. The awareness of the deeply cultural self, a traveler from dream to reality and from reality to dream, must pass through the transgressions of its Ego to evolve and hope to establish immanent connections with the other, the world, and the kairos of its subconscious.

Pascal di Péri

As it fascinates and provokes us, art, the sentinel mirror of time and the soul’s esoteric prophet, awakens us…

Pascal di Péri

If there is art only in philosophy, this work bears witness to that relationship. This artwork is indeed conceived for and by Truth, for and by Beauty, for and by Justice. Its often unsettling nature certainly challenges our laziness and inertia, but it also proclaims our imperative will to renew our own volition. For, beyond their paradoxical poetic form, the pyrospheric substances in Pascal di PÉRI’s work draw their magnetism from a reality rich in complex sediments and discordant energies. To re-engage dialogue on inspiring grounds, they rely on meaning, which projects and justifies the pursuit of active exemplarity; on essence, which anchors and radiates the introspective rhizomes of intuitive harmony; and on senses, which, captivated by the clairvoyance of a revealed apocalypse, radiate with overwhelming intensity.
“If art carries a salvific vocation, and if it generates unifying potentials, it is because it captures energies that, by putting the resources of dreams and the vertigo of reality in tension, elevate the individual and their culture toward their ‘beyond’.

Pascal di Péri

Through its roots in poetic codes and the inner quests it embodies, art ranks among the most important vectors shaping cultures and civilizations. Its abundant branching structures, subtle interstices, sensitive ethics, and intuitive clairvoyance often make it a revealer of the scars of the times; at times positioning it as a mediator for causes grounded in civic principles. In this way, art fully fulfills its role as an intercessor and beneficial promoter of shared values.
“These studies implicitly foster cultural awareness of recycling.”

Pascal di Péri

Their creative scope naturally positions them at the heart of this issue, as vectors of ethics and positive influences. Almost “programmed” to reveal themselves as symbolic markers of eco-cultural intentions, they can become contributors and active agents for the common good.

It only takes envisioning an operational strategic framework that allows them to interact, align, and even merge with the crucial energies shaping the world of tomorrow.

An art expert puts words to these works…

In contrast to the inertia of Still Lifes, the entirety of this corpus of images, transcended by esoteric flashes and stirred by flamboyant scoriae, unfolds vortices, all catalysts of sequential dramaturgies. Turbulent vapors escape from them, and intense chromaticities, saturated with unusual mysteries, stir the field of sensory intoxications. Ionized by figurative abstractions, temporal tangencies hide within this intangible hybrid chaos of pareidolic auguries. They diffuse the waves of a divinatory “beyond-time.” Its spirals, providential oracles, already question the future. And dissonant fireworks fertilize premonitions ablaze with resilience. Within the sinuosities of their alchemical transmutation, sparks of temporal and frenzied arcana initiate themselves into the stakes that will magnify the infinity of this obscure “beyond-matter.” W.B.

From the Object to the “Obj-Being”

The object is merely an outgrowth of the human. Superficially, it bears the marks of increasingly consumerist daily needs. It serves us, intoxicates us, reassures us, captivates us… but once rendered useless, it burdens, embarrasses, and pollutes us.

In these works, by immolating itself on the altar of “graphic citizenships,” matter—indeed charged with a form of clandestine albedo—redeems its “fault,” its “original sin.” From its vital ashes, it will be reborn, like the Phoenix, infused with psycho-chromatic fragrances. The eco-photo-pictorial world of Pascal di PÉRI liberates all the heroic currents of a civic ethic in awakening. Its flows of arabesques with syncretic eloquence, iridescent with visions of virtuous futures, will enchant societal sources, nurturing fertility within serene citizenships.

The emotional experience these works evoke is indeed striking. Each vibrates with a particular implicit intensity; their plastic dramaturgy seems to fascinate the “soul,” impressing upon our memorial mystique. The dances of their feverish emanations act like a “homeopathic remedy.” More than images, they are balms with spectral frequencies stimulating the mind, true alchemical elixirs. Their ultimate vocation is to permeate the social fabric through cultural porosity, striving toward eco-cultural harmony. This will entail a spiritual path guiding common sense toward a “nobility of accomplishment.” A signpost in the “language of the birds” can already guide our discernment:

From Matter to the “Third-Party Soul”…